Interview with OPP

Stacia Yeapanis of Other Peoples Pixels interviews Mark Porter: http://blog.otherpeoplespixels.com/

Rube Goldberg's Ghost

Rube Goldberg's Ghost Glass Curtain Gallery 1104 S. Wabash Ave Chicago, IL 60605 Feburary 28– May 4, 2013 Reception: Thursday, Feburary 28, 5-7pm Autohaemorrhaging Actuator, a kinetic, interactive installation by Chicago artist Mark Porter,

will be included in Rube Goldberg's Ghost. Rube Goldberg machines were never intended to actually be built and used. Goldberg’s cartoon images of impossibly complicated low-tech machines poked fun at bureaucratic systems and the laborious machinations required to traverse them. While Rube Goldberg took a light-hearted and humorous approach to serious public concerns, this exhibition presents objects that give plausible deniability (i.e. a wink and a nod) toward some of society's current obsessions, ills and issues. In the spirit of the Rube Goldberg machine, this exhibition examines social, cultural and design questions through ingenious d.i.y. engineering and 'what if' solutions. Curated by Elizabeth Burke-Dain Participating Artists: Matthew Aron, Karen Bovinich, Brian Dettmer, Fischli & Weiss, Conrad Friedberg, Joan Giroux, Joanne Greenbaum, Joseph Hersher, Taylor Hokanson, Industry of the Ordinary, Heidi Kumao, Betsy Odom, Erik Peterson, Mark Porter, David Sprecher and Michael Thompson

Mark Porter : Autohaemorrhaging Actuator,THE MISSION

Mark Porter : Autohaemorrhaging Actuator : Nov 9 – Dec 22, 2012

1431 W. Chicago Avenue 
Chicago, IL 60642 
T: 312-243-1200 Autohaemorrhaging Actuator Kinetic, site-specific installation by Mark Porter Autohaemorrhaging Actuator is a site-specific, interactive installation that mimics biological/ animal behaviors such as autohaemorrhaging- the action of animals deliberately ejecting blood from the body as a defensive tactic. Autohaemorrhaging Actuator acts as a collaborative project. Triggered by the presence of the viewer, the installation acts to create territorial markings or drawings on the floor and walls of the exhibition space. The more the piece interacts with the viewer, the more the walls of the exhibition space are marked/drawn upon. The installation is comprised of several machines linked together, working in tandem with each other with the viewer. Emphasizing the quality of the hand made object, Porter creates machines that serve as prototypes. Autohaemorrhaging Actuator was created through the fusion of found and custom-made objects. The artist fabricates his machines by re-contextualizing/reverse engineering domestic and industrial objects and joining them with custom elements. His mechanical contraptions mimic humans and animals in both the behavioral and biological sense, exhibiting a reactive and fragile personality supported by circulatory systems cycling electricity and pigmented fluids. Displayed along side Autohaemorrhaging Actuator are Porter’s Preliminary Drawings, which serve as gestural schematic diagrams, illustrating the development of his sculptures. Each Preliminary Drawing is created with graphite, colored pencil, gesso and wintergreen oil transfer on cotton rag paper.